In a Few
Minutes, You Can Be Learning The
Fine Art of Drawing From One of the
Foremost Authorities of The Science
and Practice of Drawing!
Finally, You Can Now Learn How To
Draw Like A Pro Without Having To Go
To An Expensive Art School!
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Step-by-Step Manual teaches
you how to become an expert
in drawing and art even if
you failed art in High
School! |
Tuesday
9:12 am
From: Your name here
Dear Friend,
It's never too late to learn to draw,
and the best thing is, it doesn't have
to be expensive to learn to draw!
At
last, you can now learn the fine art of
drawing without enrolling in an
expensive art school.
Learn the art in the comfort of your own
home in your spare time at a fraction of
the cost in enrolling in an art school
with the "The Practice and Science of
Drawing" by Harold Speed!
No
commuting to and from a trade school
ever! No hours lost to your existing
employment, housework or studies!
Learn Drawing Step By Step!
"The
Practice and Science of Drawing" is
a comprehensive manual that contains
over a hundred illustrations to guide
you step-by-step and help you
achieve mastery in the The Practice and
Science of Drawing.
Let
the author's illustrations guide you
through the various stages of drawing.
With this step-by-step manual learning
the art of drawing would be enjoyable
and easy!
The illustration below shows the
different stages of mass drawing with
the brush (Plate I. The Practice and
Science of Drawing).
"The Practice and Science of Drawing"
is an extraordinarily brilliant work
that also contains extensive discussions
about modern art and various styles,
techniques and philosophies of different
artists.
In
Chapter I for instance the author talks
about the various studies about
different artists' styles and points of
views.
In
describing the works of different
artists for instance, the author writes:
"If anybody
looks at a picture by Claude Monet from
the point of view of a Raphael, he will
see nothing but a meaningless jargon of
wild paint-strokes.
And if anybody
looks at a Raphael from the point of
view of a Claude Monet, he will, no
doubt, only see hard, tinny figures in a
setting devoid of any of the lovely
atmosphere that always envelops form
seen in nature. So wide apart are some
of the points of view in painting."
Learn
The Science of Drawing!
More importantly,
"The Practice and Science of Drawing" is
also a scientific investigation about
the art of drawing.
Take for instance how the author
expounds on the art of drawing:
"The
best things in an artist's work are so
much a matter of intuition, that
there is much to be said for the point
of view that would altogether discourage
intellectual inquiry into artistic
phenomena on the part of the artist.
Intuitions are shy things and apt to
disappear if looked into too closely.
And there is undoubtedly a danger that
too much knowledge and training may
supplant the natural intuitive feeling
of a student, leaving only a cold
knowledge of the means of expression in
its place.
For the
artist, if he has the right stuff in
him, has a consciousness, in doing his
best work, of something, as Ruskin has
said, "not in him but through him."
He has been, as it were, but the agent
through which it has found expression."
Table Of Contents
I..........................INTRODUCTION
II.........................DRAWING
III........................VISION
IV.........................LINE DRAWING
V..........................MASS DRAWING
VI.........................THE ACADEMIC
AND CONVENTIONAL
VII........................THE STUDY OF
DRAWING
VIII.......................LINE DRAWING:
PRACTICAL
IX.........................MASS DRAWING:
PRACTICAL
X..........................RHYTHM
XI.........................RHYTHM:
VARIETY OF LINE
XII........................RHYTHM: UNITY
OF LINE
XIII.......................RHYTHM:
VARIETY OF MASS
XIV.......................RHYTHM: UNITY
OF MASS
XV........................RHYTHM:
BALANCE
XVI.......................RHYTHM:
PROPORTION
XVII......................PORTRAIT
DRAWING
XVIII.....................THE VISUAL
MEMORY
XIX.......................PROCEDURE
XX........................MATERIALS
XXI.......................CONCLUSION
APPENDIX.......................
INDEX.......................
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instant access to The Practice and
Science of Drawing
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Drawing
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Practice and Science of Drawing" is
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